详细信息
文献类型:期刊文献
中文题名:梁廷枏的戏曲本体论及其意义
英文题名:The Study on LIANGTing-nan's Traditional Opera Essence
作者:曹艳华[1]
第一作者:曹艳华
机构:[1]定西师范高等专科学校中文系,甘肃定西743000
第一机构:甘肃中医药大学定西校区
年份:2014
卷号:19
期号:4
起止页码:5
中文期刊名:甘肃高师学报
外文期刊名:Journal of Gansu Normal Colleges
收录:国家哲学社会科学学术期刊数据库
语种:中文
中文关键词:戏曲;诗词;别为一体;高度综合性
外文关键词:traditional opera essence;poetry; independent style; comprehensive characteristic
摘要:梁廷枏在其理论著作《曲话》认为戏曲源于诗词,但和诗词的重抒情相比,戏曲有着重叙事和模仿的不同,因此别为一体,并从源头的角度,认为戏曲是一门集歌、舞、白、事、演等一体的高度综合性艺术。这些对戏曲本体的体认富有价值和意义,影响启发了后人。
LiangTing-nan advocated that traditional opera originated from poetry. But comparing with lyric poetry, traditional opera attached more importance to narration and imitation. So he thought that traditional opera was an independent style. And form the viewpoint of source, he also discussed that traditional opera had an comprehensive characteristic including song, dance, spoken parts, events, performance and so on. Those summaries about traditional opera essence had high value and enlightened Traditional Opera Theorists later.
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