文献类型：期刊文献

中文题名：梁廷枏戏曲宾白理论研究

英文题名：The Discussion on Liang Tingnan’s Drama Theory about BinBai

作者：曹艳华[1]

第一作者：曹艳华

机构：[1]定西师范高等专科学校中文系,甘肃定西743000

第一机构：甘肃中医药大学定西校区

年份：2009

卷号：14

期号：6

起止页码：26

中文期刊名：甘肃高师学报

外文期刊名：Journal of Gansu Normal Colleges

收录：国家哲学社会科学学术期刊数据库

基金：2008年度甘肃省教育厅第二批科研项目"古典戏曲意境论及现代意义研究"(项目编号:0818B-02)

语种：中文

中文关键词：宾白;地位;意境;骈白

外文关键词：BinBai; position; artistic conception; dual BinBai

摘要：梁廷枏十分重视戏曲宾白的作用,他认为在元曲中就已经出现了一些文人写作的成就较高的宾白,并把宾白和曲文、情节、场面相提并论,提高了宾白的地位。他还对宾白的地位及与曲文的关系进行阐释定位,丰富了意境理论的研究。另外,他也对骈白、宾白数量等进行了讨论,这些观点都有重要的价值。
Liang Tingnan regarded the function of BinBai in drama as important. He thought that some BinBai in drama of Yuan dynasty written by litterateur had already made great achievements , and he thought BinBai was comparable to lyric, plot and scene, so he improved the status of BinBai. He also explained the relationship between lyric and BinBai in drama, determined the status of Bin- Bai,and this enriched the artistic conception theory. In addition, he discussed the dual BinBai and the quantity of BinBai. These views were very lmportent.