文献类型：期刊文献

中文题名：论《聊斋志异》中狐意象的文化意蕴

英文题名：On discussion of te cultural connotation of "fox image" in《liao zhai zhi yi》

作者：唐莉[1,2]

第一作者：唐莉

机构：[1]西北师范大学文学院,甘肃兰州730070;[2]定西师范高等专科学校中文系,甘肃定西743000

第一机构：西北师范大学文学院,甘肃兰州730070

年份：2008

卷号：13

期号：6

起止页码：42

中文期刊名：甘肃高师学报

外文期刊名：Journal of Gansu Normal Colleges

收录：国家哲学社会科学学术期刊数据库

语种：中文

中文关键词：《聊斋志异》;狐意象;文化意蕴

外文关键词：《Liao Zhai Zhi Yi》;fox image;cultural connotation

摘要：中国古代小说中的狐意象,源于远古时期先民的图腾崇拜意识。两汉时期,它呈现出瑞兽和妖兽的双重身分。从六朝到唐代,狐在被神化和妖化的同时,也不断地在向人的方向发展,逐渐获得人的外形和气质。到了明清时期,文学作品中狐的形象和内涵更加丰富多彩,其反映社会生活的广度和深度也达到前所未有的程度。尤其《聊斋志异》中具有人形美、人性美、人情美的狐意象,既是作者寄托情感、慰藉心灵、超越现实、实现生命价值的载体,更是那个时代社会、文化状况的反映。
Fox image in the ancient Chinese novels , from ancient times our ancestors awareness of the totem worship. Han Dynasty period, it emerged in both propitious and evil capacities. From the Six Dynasties to Tang Dynasty, as Foxes were in deification and monster, but also to keep people in the direction of development, and gradually get people＇s appearance and temperament. To the Ming and Qing Dynasties, the literary works of Fox＇s image and meaning more colorful and reflect the social life of its breadth and depth has reached an unprecedented level. In particular, qlae foxes in （liao zhai zhi yi^with the beauty of human appearances ,human character and human feelings were not only a media where the writer placed his feeling on, comforting himself, surpassing the reality and realizing his value,hut also a reflection of ths society and culture of his time.