文献类型：期刊文献

中文题名：王小波小说艺术的渊源与创化

英文题名：Inheritance and Contribution: On Wang Xiaobo’s Art of Fiction

作者：张懿红[1]

第一作者：张懿红

机构：[1]甘肃中医学院 甘肃兰州730000

第一机构：甘肃中医药大学

年份：2004

期号：4

起止页码：128

中文期刊名：中国比较文学

外文期刊名：Comparative Literature in China

收录：CSTPCD;;CSSCI:【CSSCI2004_2005】；

语种：中文

中文关键词：王小波;小说;艺术风格;狂欢性文体;黑色幽默

外文关键词：inheritance and contribution; carnival style; Black Humor; inter-textuality

摘要：本文把王小波狂欢性文体放在中西方现代文学背景中，寻找王小波小说艺术渊源与创化的踪迹。论文认为：王小波自觉运用文本间性对传统文本进行改写和转化，达到戏仿、颠覆或丰富意义的目的，这是后现代写作的特点之一；在叙事方面。他受法国新小说派、杜拉斯与卡尔维诺的影响很深，论文主要从两个方面进行考察：1．客观化与反讽，2、结构与韵律。最后比较王小波与美国黑色幽默派的异同，认为他创造性地发展了黑色幽默的艺术手法，并形成了自己的特色。在中国现代讽刺幽默小说的参照系中，王小波不仅增加了超常想象与黑色幽默的向度，而且把鲁迅开拓的传统更进一步推向狂欢化，在当代文学中独树一帜，占有重要的位置。
By comparing Wang Xiaobo with western writers as well as his Chinese counterparts, this article attempts to find out how Wang Xiaobo handed down the aesthetical arts and skills created by the pioneers and also added his own original things to them to make his works unique and remarkable. By using tests referring to one another, Wang Xiaobo creatively rewrote and parodied the traditional works to succeed in his objects of overturning norm and adding to meanings, which is one of the characteristics of post-modernist writing. Since Wang Xiaobo was deeply influenced by Nouveau Roman, Marguerite Duras and Itatlo Calvino, the article surveys their influences on Wang Xiaobo in two respects: 1, objectivity and irony. 2, structure and rhythm. In the last part of this article, Wang Xiaobo is compared with Black Humor and modern Chinese satirical humorists. The conclusion is that Wang Xiaobo greatly developed the art of satire and humor, which is one of his memorable contributions to modern Chinese literature.